摘要
In his 1837 novel Grandeur et Décadence de César Birotteau, the French novelist and playwright Honoré de Balzac portrayed a successful and arrogant Parisian perfumer who, a victim of his success, became delusional and squandered his wealth with visions of grandeur and frivolous expenditures. French digital policy does the same, navigating between grandeur and decadence.
